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Bluegrass Banjo Lesson: Take Me Home, Country Roads

Howdy!

I remember back In the seventies and eighties, it was neigh on impossible to do a bluegrass show without performing “Take Me Home, Country Roads,” better known as just “Country Roads.” The audience would practically take us out to the nearest tree and hang us by our toes if we didn’t play it. And when we finally did play it, the audience would sing along, swaying back and forth and having a genuine feel-good “Kumbaya moment.”

John Denver“Country Roads” was actually written by Bill Danoff, Taffy Nivert and John Denver, who was the first to record it in 1971. It

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A Different Approach to Learning Bluegrass Banjo + Tab for ‘Katie Kline’

Kindle the dogThere are certainly as many ways to learn to play bluegrass style banjo as my dog has fleas, bless his heart. After playing and teaching banjo for many years, I came up with an approach that is different from any banjo books that I’ve seen. Let me explain.

The most common way to teach a beginner the fundamentals of playing bluegrass banjo is to sit them down and show them the basic rolls. Then the teacher often show the student a tune like “Cripple Creek” or “Bile Em Cabbage Down,” using those rolls. We’ll call this approach the “Roll Method.”

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Wayne Erbsen


Wayne ErbsenIt was 1973 and Wayne Erbsen had just moved from his home in California to Charlotte, North Carolina. His aim was to dig deep into the roots of Southern Appalachian music by learning from the masters. He chose Charlotte because the area had once been a hotbed of traditional Southern music.

To his shock, Wayne discovered that little of the old music was left. Instead, North Carolina seemed intent on covering up its own Appalachian roots with concrete and embracing the new music of New York as well as Los Angeles and Hollywood, two places Wayne had just escaped from!

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The Big Bang Theory of Bluegrass

By Wayne Erbsen

If the “big bang theory” helps to explain the origin of the universe, perhaps “the big bang theory of bluegrass” will shed some light on the origin of the bluegrass music universe.

There are two schools of thought as to the origins of bluegrass music. One has Bill Monroe singlehandedly inventing bluegrass music around 1945. The other takes a more evolutionary approach, with a number of musicians and bands contributing to the sound we now call “bluegrass.” In particular, this approach points to Wade and JE Mainer’s Mountaineers as the first band that had all the ingredients

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In the Pines: History, Lyrics & Tips for Playing

Talk about a dark and spooky song! In the Pines has it all: a young girl who shivers when the cold winds blow, and then sells herself to the men in the mines. As if that’s not quite bad enough, she then gets her head cut off when she fell under the driving wheel of a train. After all that, she didn’t even get a proper burial because “her body has never been found.”

Originating around the time of the Civil War, the history of In the Pines is entangled with such songs as The Longest Train I Ever Saw

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‘In the Pines’ + Music, Lyrics & Tips for Playing

By Wayne Erbsen

Talk about a dark and spooky song! In the Pines has it all: a young girl who shivers when the cold winds blow, and then sells herself to the men in the mines. As if that’s not quite bad enough, she then gets her head cut off when she fell under the driving wheel of a train. After all that, she didn’t even get a proper burial because “her body has never been found.”

Originating around the time of the Civil War, the history of In the Pines is entangled with such songs as The Longest Train

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Mountains of Songs

By Wayne Erbsen

Hank Williams was once quoted as saying, “You got to have smelt a lot of mule manure before you can sing like a hillbilly.” If Hank was right, then what I did today puts me over the top into the ranks of genuine hillbillies.

It all started when I got back from a week of fiddling and singing at the Appalachian Stringband Festival in Clifftop, West Virginia. After I barely had a chance to settle into my normal routine at home, my wife, Barbara, said she had a “honey do” list for me. The good news was

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Playing Bluegrass Backup on Fiddle, Mandolin & Banjo

banjo player with gunBy Wayne Erbsen

As you might guess, there are numerous differences between old-time and bluegrass music, although they share a lot of similarities too. In old-time music, the banjo, fiddle, and mandolin generally play the melody all at the same time. During an old-time tune, the guitar generally refrains from playing the melody and concentrates on providing the rhythm and an occasional bass run. In bluegrass music, on the other hand, only one instrument plays the melody at a time. Everyone else plays backup. So let’s explore what playing backup means in bluegrass music.

First off, it’s good to remember

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Eck Robertson, Master Fiddler

Rural Roots of Bluegrass

By Wayne Erbsen

Eck Robertson was a true fiddle master. Fortunately, he was unafraid to step up to the plate and say so.

The story begins shortly after the turn of the twentieth century when Amarillo, Texas, fiddler Eck Robertson honed his fiddle chops enough to start winning fiddler’s conventions. Competition at Texas fiddle contests was notoriously fierce, and winning any of them was no mean trick. One story has Robertson in a showdown playoff with the father of legendary fiddler Bob Wills. In a last-ditch effort to give himself an edge, legend has it that he broke off a

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Celebrating 50 years of the ‘Ignoramus’

The evolution of the ‘Ignoramus’

Many of you have learned to play the banjo from my book ‘Clawhammer Banjo for the Complete Ignoramus‘… and this year this method is 50 years old! The book has been rewritten a few times over the years, and each time I think it’s gotten even better, but it’s always had the same down home and easy approach.

I thought you might like to know the story of how the ‘Ignoramus’, as we like to call it, came to be.

The original book

It was 1973 when I landed a job in Charlotte,

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