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Hank Williams’ Lost Charleston Show By John Lilly

When he left his Alabama home on December 30, 1952, Hank Williams had his sights set on West Virginia. He was billed as the headline act for a gala “Western Style Revue” at Charleston’s Municipal Auditorium and was scheduled to perform two shows here on New Year’s Eve night. Sadly, he never arrived.

Little has been written about this Charleston engagement. Most authors, researchers, and fans have shifted their attention instead to Canton, Ohio, where Hank was expected to perform the following day. On January 1, 1953, in Canton, the first public announcement was made about the passing of this

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Jim Shumate, Bluegrass Fiddler Supreme

Rural Roots of Bluegrass

It’s a long drive from Raleigh, North Carolina to Nashville, Tennessee. Before Interstate 40 was cut through North Carolina, driving west from Raleigh meant winding through such towns as Siler City, Mocksville, Statesville, Hickory, and Old Fort. Bill Monroe is no stranger to that road. In the forty odd years he has been performing, he has worn out many a set of tires driving that road. Being a bluegrass musician has meant accepting show dates spread out all over the country; it never seems to matter how many miles lie between.

To pass the time, Monroe has often tuned in

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Short Life of Trouble ~ Music, Lyrics, and the Joy of Sad Music

By Wayne Erbsen

This is an excerpt from Rural Roots of Bluegrass.

A while back I was invited to bring an instrument to a potluck party of some friends of mine in the mountains near Asheville, North Carolina. I brought along my fiddle in the hopes of finding some bluegrass musicians to jam with.

When I arrived at the converted barn where the party was being held, I saw a guitar learning up against the corner, so I sidled up to the guitar’s owner and introduced myself. As I shook howdy with him I asked him what kind of music

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How Hard Is It to Play the Guitar?

By Wayne Erbsen

The first question I hear from people interested in playing the guitar is “how hard is it?” For those of you with that same question, this article is for you.

The relative ease or difficulty of learning to play any musical instrument depends on three main things:

    1. Natural talent. It’s just a fact that some people are born with more musical talent than others. But before you jump to the conclusion that you were standing behind the door when music talent was passed out, stick with me here for a minute. Natural talent alone doesn’t guarantee
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The Appalachian Dulcimer

By Wayne Erbsen

It’s amazing just how many people dream about playing a stringed instrument. When they finally do get around to trying out a guitar, banjo, fiddle, mandolin, or bass, they sometimes find it takes a little more work than they figured to make their dreams come true. If you are one of those people who has always wanted to make your own music, instead of buying it prepackaged in the store, let me tell you about an instrument that is both very easy to play and inexpensive to buy — the dulcimer.

Of all the stringed instruments

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“Keep a-Goin’” Musician Everett Lilly of Clear Creek, West Virginia by John Lilly. Photograph by Michael Keller

everett_lilly_089pBorn in 1924, musician Everett Lilly has been going strong for nearly 85 years, living just a stone’s throw from the Clear Creek property where he was born. A casual observer might not realize that Everett, together with his late brother “B,” traveled the world over, performing and promoting the music of his Raleigh County home.

The Lilly Brothers, playing with neighbor Don Stover, introduced countless new fans to the down-home music of southern West Virginia at the peak of their popularity during the mid- to late 1960’s. Singing tight, “brother” harmonies and playing at a breakneck tempo on guitar,

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D-18, D-28 … What it All Means

By Bob Smakula

You walk into a music store to check out the latest in six string guitars that might be suitable for old-time music. You overhear the salesman talking to another customer and they seem to be talking in some cryptic code: “D-35, triple 0-18, M-36, D-28s.” Should you yell “Bingo!?” No, they are talking about different Martin guitar models.

Deciphering the Martin guitar code is simple. The model designations can be broken down into two parts. Take D-28, or 5-18 for example. The letter prefix “D” or number prefix “5” represents the guitar’s size. The suffix “28” or

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Terms & Conditions

Welcome to Native Ground Music, Inc.

For our privacy policy, please visit: https://nativeground.com/privacy-policy

These terms and conditions outline the rules and regulations for the use of Native Ground Music, Inc.’s Website.

Native Ground Music, Inc. is located at:

109 Bell Rd
Asheville, North Carolina  28805

By accessing this website we assume you accept these terms and conditions in full. Do not continue to use Native Ground Music, Inc’s website if you do not accept all of the terms and conditions stated on this page.

The following terminology applies to these Terms and Conditions, Privacy Statement and Disclaimer Notice and any

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Just 2 Chords! Easy Bluegrass & Folk Songs on Guitar

By Wayne Erbsen

In Basic Guitar Chords, I showed you a number of basic guitar chords. Armed with that knowledge, there are thousands of songs you can play simply by strumming the chord and singing, humming, or whistling the song.

Before you can do that, you will need to figure out which chords to play when.

The good news is that most bluegrass, folk, and country songs can be played with just three chords. These three chords form a little family called a “key.” We often give the chords in the same family the numbers 1, 4, and 5.

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