The Dark History of ‘Hangman’s Reel’ + Clawhammer Banjo Tab

By Wayne Erbsen

Albert Hash and Emily SpencerHangmanโ€™s Reel always reminds me of my old friend and mentor, Albert Hash. I first met Albert at the Grayson County Fiddlers Convention in the summer of 1972, and took an instant liking to him. Not only was he a great old-time fiddler, but I was drawn to him by his plainspoken ways and his humble spirit. He spoke in an old-time Southwest Virginia dialect, and I hung on his every word. The man was wise from his head to his toes, and I spent a lot of time hanging out and playing music with him at

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Wiley & Zeke Morris, The Morris Brothers

Rural Roots of Bluegrass

It all started with mama. It seemed like she could make music on about anything with strings on it and some things that didn’t, like the french harp. There never was enough time for mama to play, what with raising six rambunctious sons. But often on Saturday night she would put her work aside and get together with her two brothers, Rome and Joe, to make music. Joe played banjo in the old clawhammer style, and Rome played the fiddle. In addition to the hoedown square dance tunes, Rome was known to have played some beautiful waltz music on the

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How to Build Your Own “Hamdolin” by Wayne Erbsen

A chair rung joins the body to the neck.

Five or six years ago, I was rooting around in a wrecking yard near my home, searching amidst a sea of abandoned cars for an exhaust manifold for my old Dodge van. Call it fate (or just outright compulsive curiosity), but for some reason I happened to peer through the window of an old truck, and I spotted two empty ham cans sitting peacefully on the seat.

A chair rung joins the body to the neck.Well, right off, those pear-shaped tins reminded me of mandolins (we musicians tend to see music in almost everything), and that got me to thinking about the banjo-like instrument I’d once made out

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Wholesale Info

We’d love to provide your shop with our down-home titles of historic & nostalgic American cooking, folklore and music. We are a small family business and love working with wholesale accounts of all sorts. You can order directly through us or through your favorite rep group (just have them reach out to us). You can also find our titles on Ingram.

To be more accessible for smaller stores, we require low minimums ($75 first orders/$50 reorders), competitive pricing, and we are always happy to help you pick out which titles will work best for your store. We ship UPS and

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A History of Bluegrass Guitar in Western North Carolina

By John Martin

When folklorists like Cecil Sharp came to the mountains of North Carolina they found an enduring musical culture of Scotch-Irish fiddle tunes and ballad singers as well as some of the only black banjo and fiddle players in the country.ย  In the 1940s, western North Carolinians helped produce a new form of music: bluegrass. Earl Scruggs popularized the regional three-finger banjo style that in many ways defined bluegrass, and the state also made many contributions to guitar playing.ย 

While the acoustic guitar began as a rhythm instrument, North Carolinians Don Reno, Earl Scruggs, Doc Watson, and George

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How to Play Mandolin

By Wayne Erbsen

NOTE: I wrote this article in back in 1980 for the Mother Earth News.

Some people call it a ‘tator bug because of its traditional round back, but most people know it as a mandolin. The instrument, a distant relative of the lute and (even more distantly) the guitar, was brought to America from eastern Europe during the last century. It wasn’t exactly an overnight success, though โ€” probably because the import’s bowl-like back made it frustratingly hard to hang onto to play.

But in the late 1800’s, an instrument maker in Kalamazoo, Michigan, named Orville Gibson

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How Hard Is It to Learn to Play the Guitar?

The quick answer to this question is โ€œitโ€™s pretty easy,โ€ IF you have the right instructor or instructional materials (ie books or videos). After teaching guitar since 1962, Iโ€™ve had a wide variety of students walk through the door. The vast majority have learned to play and, as far as I know, have kept playing for years. The small number of people who didnโ€™t get cozy with the guitar probably were missing one essential ingredient: determination. If you really want to play the guitar, neither hell nor high water can stop you.

As I indicated above, your success at learning

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Music of the Southern Appalachians by Mike Seeger

This area is to the west of the flat tidewater and piedmont areas of the Atlantic coastline and includes some broad valleys with good agricultural land, such as the Shenandoah Valley in Virginia, as well as many smaller valleys, some just wide enough for a little bottomland next to a creek. The eastern mountains are not nearly as tall as the Rockies; they generally rise 1,000 to 3,000 feet with a maximum of 6,000 feet, and are forested with a variety of deciduous and evergreen trees and many smaller bushes and flowers. Some mountains are green, rolling hills, but in

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Gospel Boogie: White Southern Gospel Music in Transition, 1945-55

It has become a truism to say that most forms of traditional music in the American South were to some extent ‘commercialized’ by the end of the 1920s; certainly this is true of fiddle and instrumental traditions, country singing, the blues and jazz. By the middle of the Depression most of these musics had gained access to the mass media, either through phonograph records or radio. Throughout the Depression amateur musicians gave way to semi-professional, and then fully professional, musicians who spent most of their time playing music. While these changes meant erosion of regional styles and dilution of tradition,

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