Your AccountHere you can stream the audio tracks for Flatpicking Guitar for the Complete Ignoramus. The number below matches a number in a gramophone in your book.
Audio Streaming for Flatpicking Guitar for the Complete Ignoramus
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Audio Streaming for Bluegrass Mandolin for the Complete Ignoramus
Here you can stream the audio tracks for Bluegrass Mandolin for the Complete Ignoramus. The number below matches a number in a gramophone in your book.
Audio Streaming for Bluegrass Banjo for the Complete Ignoramus
Here you can stream the audio tracks for Bluegrass Banjo for the Complete Ignoramus. The number below matches a number in a gramophone in your book.
Cotton-Eyed Joe
Cotton-Eyed Joe
Eighteen, nineteen, twenty years ago
Daddy worked a man called Cotton-Eyed Joe
Where did you come from,
Where did you go?
Where did you come from
Cotton Eyed-Joe
Cornstalk fiddle and a shoe string bow
Couldn’t play nothin’ but Cotton-Eyed Joe
Woulda been married a long time ago
Hadn’t a been for Cotton-Eyed Joe
Chicken in the bread pan peckin’ out dough
Grannie will your dog bite, no child no!
Eighteen feet of sleet and snow,
The roof caved in on Cotton-Eyed Joe.
Instruction on how to play this song can be found in Wayne Erbsen’s book:Clawhammer
The Ballad of Barbara Allen by Wayne Erbsen
No other old English or Scottish ballad even comes close to the popularity of “Barbara Allen.” Brought over to America by the earliest pioneers, its roots can be traced to at least the year 1666 when Samuel Pepys wrote in his diary on January 2, “In perfect pleasure I was to hear her [Mrs. Knipp, an actress] sing, and especially her little Scotch song of Barbary Allen.” Even Abraham Lincoln sang “Barbara Allen” while growing up in rural Indiana.
In America, “Barbara Allen” was sometimes called “Barbara Allen’s Cruelty or the Young Man s Tragedy.” It was also known as
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What Kind of Mandolin Should I Get?
By Wayne Erbsen
Unless a free mandolin just falls in your lap, you’ll need to purchase one. When you go shopping for a mandolin, I strongly suggest that you don’t buy a cheap one off the Internet. Most of these cheapo instruments will sound like a tin can strung with barbed wire. Instead, you should visit your local music store and get the expert advice of a knowledgeable sales person. Be sure to stress that you’re a beginner and that you need a mandolin that’s set up so it’s easy to play.
Even before you make a trip to a
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Truss Rods by Bob Smakula
I’ve recently been reading many newspaper and magazine articles on the greatest inventions of the last 98 years. You tend to see the same things over and over: air travel, nylon, transistors, and even Little Debbie Nutty Bars. My personal favorite is one that few people ever see, though most guitar, banjo, and mandolin players rely on it to keep their instruments in shape. This hidden treasure-the truss rod-has saved me countless hours of neck adjustments.
The earliest manufactured guitars were intended to be played with gut strings and neck reinforcement was a minor. As players demanded louder instruments, steel
