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Walter Davis – Fisk & Skull Banjo

Rural Roots of Bluegrass

One of the most fascinating of all the two finger pickers is a gentleman by the name of Walter Davis. Residing in Black Mountain, North Carolina, Walter, in his 75 years, has come to know most of the western Carolina banjo players such as Samantha Bumgarner, Mack Crow, Clarence Ashley and Dock Walsh. He was also acquainted with Jimmy Rodgers, who once lived in Old Fort, North Carolina, and Blind Lemon Jefferson, who played on the streets of nearby Johnson City, Tennessee. He also knew Jimmy Davis, who came to visit his mother in a hospital in Morganton, North Carolina,

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How Hard is it to Learn to Play the 5-String Banjo?

I get asked this question all the time, so I thought I might as well answer it. Learning the banjo can be as easy as falling off a log or as painful as a good ole root canal. It all depends on how it’s taught.

Bluegrass banjo as pioneered by Earl Scruggs sounds like it has a billion notes. It not only sounds complicated, it IS complicated. But friends, it doesn’t have to be that way. Unfortunately, most instruction books and banjo teachers completely miss the boat by starting the total beginner off with complicated rolls and then wonder why

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Thicker’n Fiddlers in Hell

Old-Time Fiddle for the Complete Ignoramus! instruction book by Wayne Erbsen

By Wayne Erbsen

Throughout its long and spicy history, the fiddle has been both loved and loathed. In early frontier days fiddlers were held in the highest esteem, even above doctors, lawyers, and politicians. It was a lone fiddler who held sway at community dances, which were the most popular form of entertainment in early America. Without the fiddler, there simply was no dance. A pioneer community that could boast having a fiddler was the envy of all, and a skilled fiddler was always in demand to play for community gatherings, such as barn dances, log rollings, corn-shuckings and bean-stringings.

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“I’ve Been All Around This World” ~History, Lyrics & Banjo Tab

Of all the many kinds of songs there are to sing, by far my favorites are what I call “real songs.” These were not written in an air conditioned office on the fourteenth floor by fancy pants professional songwriters. Instead, they were written about events that really happened, by real people who were there to witness it.

Judge Parker “I’ve Been All Around This World” could not be any more real if it tried. The outlaw captured in this song was reportedly hanged for murder in Fort Smith, Arkansas in the 1870s. If this is true, the chances are good that he

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“Roll On Buddy” ~ Lyrics, History, & Tab for Mandolin/Fiddle

While doing some research on one of the songs for my book Bluegrass Jamming on Mandolin, I uncovered some interesting things about the song “Roll On Buddy,” which is considered a bluegrass standard as recorded by Bill Monroe and the Bluegrass Boys. On May 17, 1924 Al Hopkins & His Buckle Busters recorded “Baby Your Time Ain’t Long” with Charlie Bowman on fiddle. Four years later, Charlie Bowman & His Brothers used this exact same melody on a song they called “Roll On Buddy.” Although usually thought to be a traditional song, “Roll on Buddy” was apparently composed by

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Figuring Out Chords at the Shindig on the Green

By Wayne Erbsen

Shindig. To people in western North Carolina where I live, “Shindig” is short for Shindig on the Green, which is an outdoor bluegrass music festival held on the courthouse steps in Asheville, North Carolina. The Shindig is a unique summer festival, drawing regional bluegrass and old-time musicians who just want to get together to pick and socialize and strut their musical stuff on stage. For the musicians, it’s not a paid gig, just a big music party with a large audience. Only the house band, The Stoney Creek Boys, get paid.

On Labor Day, I attended the

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Tips for Figuring Out Chords

By Wayne Erbsen

Shindig. To people in western North Carolina where I live, “Shindig” is short for Shindig on the Green, which is an outdoor bluegrass music festival held on the courthouse steps in Asheville, North Carolina. The Shindig is a unique summer festival, drawing regional bluegrass and old-time musicians who just want to get together to pick and socialize and strut their musical stuff on stage. For the musicians, it’s not a paid gig, just a big music party with a large audience. Only the house band, The Stoney Creek Boys, get paid.

On Labor Day, I attended the

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The Secret Signals of Musicians

By Wayne Erbsen

It’s Saturday night. Instead of relaxing safe at home plopped comfortably in front of your big screen TV, you’ve got your hind quarters parked squarely on a hard folding chair. If that’s the case, chances are you’re either at a festival watching your favorite bluegrass band, or perhaps you’re huddled under a tarp in the pouring rain jamming with friends or total strangers at a fiddlers convention. Either way, you often witness secret or not-so-secret signals or cues from one musician to the rest of the group to alert them that a song or tune is about

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Bluegrass Music in Western North Carolina

Rural Roots of Bluegrass

Western North Carolina has long been fertile ground for the growth of bluegrass music. In fact, no other region or state has contributed so much to its development.

For many people, the appeal of bluegrass music is that it is a relatively new form of music that sounds old. Most scholars agree that bluegrass first gained national attention when Bill Monroe and the Bluegrass Boys appeared on the Grand Ole Opry in 1945. In addition to Bill Monroe himself, this legendary band consisted of Lester Flatt (guitar), Earl Scruggs (banjo), Chubby Wise (fiddle) and Cedric Rainwater (bass). The reason that

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