A Word About These Free Clawhammer Banjo Tabs

Howdy!

These free clawhammer banjo tabs are written out in the simplest possible way. Like “normal” tab, the five horizontal lines represent the five strings of your banjo. The numbers on the lines represent the fret that you play on that string.

What’s not so “normal,” is that I have not included the rhythmic clawhammer stroke as part of the tab. What you have here is only the naked melody.

If you already have the basic clawhammer banjo rhythm nailed down, you know that it sounds like “bum dit-ty,” or “claw-ham-mer.” The “bum” or “claw” is the melody, the “dit”

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Native Ground’s Favorite Old-Time and Bluegrass Music Links

The Great American Tear Jerker by Wayne Erbsen

Rural Roots of Bluegrass by Wayne Erbsen

Fans of traditional country and bluegrass music have always had a soft spot in their hearts for a good ole tear jerker. If you write a song about getting run over by a train while holding a baby on the way to your mother’s funeral, you’re bound to have a hit. Let’s take a little trip back in time and see where the idea of the tear jerker came from.

Mid 19th century America had a lot to cry about. If the high infant mortality rate didn’t kill you, any number of other hazards would. Anyone who lived to be

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Buying a Used Guitar

By Bob Smakula

First, play the guitar. Is there excessive buzzing? Is it too easy to play or do you need hydraulic-assisted fingers? String height is determined by several factors. Nut height, saddle height, neck curvature and neck angle all make one guitar’s action better or worse than another’s. String height can be changed to suit any playing style. My opinion of ideal string height for a steel string guitar (measured from the top of the fret to the bottom of the string at the 12th fret) is 1/16″ at the high E gradually increasing to 3/32″ at the low

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The Simplest Harmony Part in Bluegrass Music

By Wayne Erbsen

Singing harmony is one of life’s truest pleasures, right behind pie and sex. For the moment, I’m not going to give you a complete lesson on singing harmony. You can find that in my book, The Bluegrass Gospel Songbook. Instead, I’m going to give you a partial harmony lesson and show you the simplest harmony part in bluegrass music. Why am I so sure that I’ve found the one song that surpasses all others in its simplicity? For the simple reason that the harmony part I’m about to show you has only one note. Yes, that’s

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Happy Songs of Sunshine and Light, and ‘Short Life of Trouble’

A while back I was invited to bring an instrument to a potluck party of some friends of mine in the mountains near Asheville, North Carolina. I brought along my fiddle in the hopes of finding some bluegrass musicians to jam with.

When I arrived at the converted barn where the party was being held, I saw a guitar learning up against the corner, so I sidled up to the guitar’s owner and introduced myself. As I shook howdy with him I asked him what kind of music he played, so I’d know whether our styles would be compatible. But

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‘I Am a Pilgrim’ and the Magic Numbers

By Wayne Erbsen

Merle-TravisOne of my favorite gospel songs of all time is I Am a Pilgrim. I first heard it back in the early 60s when I was listening closely to Doc Watson, who sang it and picked it on the guitar. Doc freely admitted that he learned it from the great Merle Travis, so I always assumed Travis composed it. Digging a little deeper, I found that it was recorded by 14 African-American singers before it was even a gleam in Travis’ eye.

I’m not surprised that I Am a Pilgrim has roots in African-American music. The

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Roll On Buddy

While doing some research on one of the songs for my book Bluegrass Jamming on Mandolin, I uncovered some interesting things about the song “Roll On Buddy,” which is considered a bluegrass standard as recorded by Bill Monroe and the Bluegrass Boys. On May 17, 1924 Al Hopkins & His Buckle Busters recorded “Baby Your Time Ain’t Long” with Charlie Bowman on fiddle. Four years later, Charlie Bowman & His Brothers used this exact same melody on a song they called “Roll On Buddy.” Although usually thought to be a traditional song, “Roll on Buddy” was apparently composed by

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