Category: Instruction

The History of Tuning Gizmos

By Wayne Erbsen

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Over the years, there’s been a dizzying array of gizmos created to help us find the right pitch for singing or to help us tune our instruments. The first one I remember was a round pitch pipe the music teacher in my elementary school used when we would sing in class.

Tuning ForkWhen I first started playing the guitar in the early 1960s, it was common to use a tuning fork. Since that time I’ve heard that tuning forks have been produced in different sizes and pitches, but my only experience was with an “A” tuning fork. I

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‘I Am a Pilgrim’ and the Magic Numbers

By Wayne Erbsen

Merle-TravisOne of my favorite gospel songs of all time is I Am a Pilgrim. I first heard it back in the early 60s when I was listening closely to Doc Watson, who sang it and picked it on the guitar. Doc freely admitted that he learned it from the great Merle Travis, so I always assumed Travis composed it. Digging a little deeper, I found that it was recorded by 14 African-American singers before it was even a gleam in Travis’ eye.

I’m not surprised that I Am a Pilgrim has roots in African-American music. The

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The Secret Signals of Musicians

By Wayne Erbsen

It’s Saturday night. Instead of relaxing safe at home plopped comfortably in front of your big screen TV, you’ve got your hind quarters parked squarely on a hard folding chair. If that’s the case, chances are you’re either at a festival watching your favorite bluegrass band, or perhaps you’re huddled under a tarp in the pouring rain jamming with friends or total strangers at a fiddlers convention. Either way, you often witness secret or not-so-secret signals or cues from one musician to the rest of the group to alert them that a song or tune is about

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Who Moved My Cheese?

By Wayne Erbsen

Many people don’t like change. They don’t want their cheese moved, as the book says. I’m more guilty of this than almost anyone I know. Once I discover something I like, I tend to do that thing from that day forward, without wavering one iota.

In bluegrass music, most traditional players don’t want their cheese moved either. They think, if Earl, Don, Carter, or Bill played a lick a certain way, by God, that’s the way I’m going to play it too, or try to. Now, I can’t really fault that way of thinking, because I’m as

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The Simplest Harmony Part in Bluegrass Music

By Wayne Erbsen

Singing harmony is one of life’s truest pleasures, right behind pie and sex. For the moment, I’m not going to give you a complete lesson on singing harmony. You can find that in my book, The Bluegrass Gospel Songbook. Instead, I’m going to give you a partial harmony lesson and show you the simplest harmony part in bluegrass music. Why am I so sure that I’ve found the one song that surpasses all others in its simplicity? For the simple reason that the harmony part I’m about to show you has only one note. Yes, that’s

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The Dreaded Count-In

By Wayne Erbsen

Perhaps you’re a lurker at the bluegrass jam or pickin’ session. Sometimes you’ve heard the musicians count at the beginning of the songs with “one, two, three” or “one, two, three, four” and wondered how and why they’re doing that. You may have been in a position of having to start a song in a jam, and you’ve dreaded having to do the count-in. In either case, read on.

When it’s your turn to start a song in a jam, the surest way to get the other musicians to come in at the right place is to

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It’s the Melody, Stupid!

In 1992, Bill Clinton grabbed headlines with the phrase “It’s the economy, stupid,” and used it to unseat George Bush as President. I’m not trying to stir up old political feuds or throw a hissy fit, but my point here should be as plain as the nose on your face. In playing traditional bluegrass, the melody should be considered almost sacred.

Bluegrass music is the delicate balance between tradition and innovation. In order to maintain the traditional side of bluegrass music, the melodies as well as the lyrics must be kept more or less intact. The hot licks we all

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Tips for Figuring Out Chords

By Wayne Erbsen

Shindig. To people in western North Carolina where I live, “Shindig” is short for Shindig on the Green, which is an outdoor bluegrass music festival held on the courthouse steps in Asheville, North Carolina. The Shindig is a unique summer festival, drawing regional bluegrass and old-time musicians who just want to get together to pick and socialize and strut their musical stuff on stage. For the musicians, it’s not a paid gig, just a big music party with a large audience. Only the house band, The Stoney Creek Boys, get paid.

On Labor Day, I attended the

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The Dreaded G Scale & the Magic Numbers

By Wayne Erbsen

I once heard it said, “There ain’t no notes in bluegrass music, you just pick it.”

While it may be comforting to suggest that music theory and bluegrass music don’t mix, in fact, knowing a little so-called music theory could be downright useful if you want to develop as a musician. Granted, many people are scared to death of musical scales. Trust me, this won’t hurt (all that much), and soon scales will be your new best friend.

First, since bluegrass is often played in the key of G, we’ll start by learning a G scale. Like

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