Fiddlin’ Arthur Smith

Rural Roots of Bluegrass

By Wayne Erbsen

Thunderstruck. What better word to use to describe the reaction of fans of old-time fiddle music when they first tuned into the Grand Ole Opry and heard the fiddling of Arthur Smith coming out of their radios? From the time Smith first stepped up to the WMS  microphone in December 1927, the world of southern fiddling would never be the same again. Who was this man that set fiddling so much on its ear?

Born April 10th, 1898, near Bold Springs, Tennessee, Arthur Smith got his first fiddle when his young wife, Nettie, sold enough chickens to

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Karl and Harty

Rural Roots of Bluegrass

By Wayne Erbsen

The search for the core of the roots of bluegrass always leads to the many brother acts that were so popular with rural audiences in the 1930s and 1940s. The familiar names that always crop up include the Monroe brothers, Callahan brothers, Delmore brothers and the Bolick brothers. Practically forgotten, but no less important to the roots of bluegrass, were Karl and Harty. Though “officially” not brothers, both were born in 1905, growing up in Mount Vernon, Kentucky, as if they were brothers. This same area produced such artists as Bradley Kincaid, Red Foley, and John Lair.

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Samantha Bumgarner: The Original Banjo Pickin’ Girl

This article was written by Charles K Wolfe.

One of the sillier myths being bandied about these days by the Nashville establishment involves the role of women in the history of country music. It is said, down along Music Row and in the August pages of Country Music Magazine, that before the advent of Kitty Wells in the late 1940’s, women had little to do with country music’s devel­opment: they were cast as only pretty faces along to dress up the act. This, of course, is nonsense, and an account of the significant women artists who contributed to

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