Category: History

In Praise of Banjo Picking Women by Mike Seeger

When one thinks of the banjo today what generally comes to mind is a picture of a man in an ensemble playing serious, often jazz-like music based on a style initiated by the most influential and widely imitated banjoist of all time, Earl Scruggs. This style is barely 50 years old and has involved a long evolution since the gourd instrument that came here from Africa in the 17th and 18th centuries. That instrument was handmade from whatever organic materials would be available. The sound was quiet often solo but soon after Africans were brought here as slaves they no

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Grandpa Jones

By Charles Wolf

It was a hot night at the Grand Ole Opry in the summer of 1995. Out frontthe crowd in the Opry house was stocking up on Cokes and trying to explain to northern visitors what Goo ­Goos were. Backstage the talk was about whether or not the Houston Oilers were serious about moving to Nashville. An­nouncer Kyle Cantrell was checking over his schedule and getting ready to intro­duce the host for the 8:30 P.M. segment of the world’s longest running radio show. He smiled when he saw who was up next.­

Bradley-Kincaid,-Joe-Troyan-and-Grandpa-JonesAccompanied by his back-up band of

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Frank Smith, Andrew Jenkins, and Early Commercial Gospel Music

In 1923 two forces were working in the South to transform the face of American music: the radio and the phonograph record. As the various forms of traditional and grass roots music encountered these new mass media, a curious and complex chemistry developed that gradually changed the nature of the music, the musi­cians, and the role music played in people’s lives. Music once designed for the parlor, the back porch, the barn dance, or the church was now the creature of the radio studio, the Victrola, the fiddling contest, or the vaudeville theater. Musicians used to playing for a local

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Arkansas Traveler Skit

Rural Roots of Bluegrass by Wayne Erbsen
arkanas-traveler-art

By Wayne Erbsen

The Arkansas Traveler is one of most recognizable and popular old-time fiddle tunes played today. The tune was first printed on February 23, 1847. The skit that goes with the tune is said to go back to the 1820s, and some have credited it to Colonel Sandford C. Faulkner, who became known as The Arkansas Traveler. The setting of the skit is a farmer playing the fiddle on the front porch of his ramshackle cabin in rural Arkansas. Up rides a city slicker on a horse who is beyond lost. Their conversation is captured in the

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Blue Sky Boys

Rural Roots of Bluegrass

By Wayne Erbsen

It all began with a misunderstanding. It was early June, 1936, and the teenage brother duet of Bill and Earl Bolick had just abruptly ended a three-month stint at radio WGST in Atlanta over a dispute with the sponsor, W.J. Fincher’s Crazy Water Crystals. Within a matter of days the Bolicks traveled to the RCA Victor studio in Charlotte, North Carolina, to fulfill a contract to make their first recordings.

Perhaps out of spite, W.J. Fincher passed on to RCA Victor the erroneous information that the brothers had broken up their act. For this reason, Eli Oberstein

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Footprints in the Snow- history & lyrics

By Wayne Erbsen

One of the classic Bill Monroe songs of all time is Footprints in the Snow. Despite the fact that Bill claimed authorship under the pseudonym “Rupert Jones,” the song was much older. According to Neil Rosenberg, Bill learned it in the early 1930s when he was at the National Barn Dance in Chicago. The song was first recorded on June 4, 1931, by Ernest Branch & the West Virginia Ramblers under the title Little Footprints. With the help of my old friend Guthrie Meade, I have managed to track down the origin of Footprints in

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